“Tell me,” she said, “what interfered with it?” Unconsciously she was leaning forward, her chin supported by her hands. Their faces were very near to one another. “She was studying for the stage,” he answered. “Paris was the only school in those days. I was at Julien’s studio. We acted together for some charity. I had always been fond of it. An American manager who was present offered us both an engagement, and I thought it would be a change and that I could combine the two arts.”!

“What do you advise me?” he asked. “I haven’t decided yet.” She held out a large strong hand and gave Joan a longish grip. “You’re right,” she said, “we must get her out of this house at once. Forgive me.”

“And suppose we do?” agreed Joan, her courage rising. “Why should we shun one another, as if we were both of us incapable of decency or self-control? Why must love be always assumed to make us weak and contemptible, as if it were some subtle poison? Why shouldn’t it strengthen and ennoble us?” “But you’ll get out of that,” suggested Joan. “You’ve got the actress face.” She reached home in the evening. The Phillips’s old rooms had been twice let since Christmas, but were now again empty. The McKean with his silent ways and his everlasting pipe had gone to America to superintend the production of one of his plays. The house gave her the feeling of being haunted. She had her dinner brought up to her and prepared for a long evening’s work; but found herself unable to think—except on the one subject that she wanted to put off thinking about. To her relief the last post brought her a letter from Arthur. He had been called to Lisbon to look after a contract, and would be away for a fortnight. Her father was not as well as he had been.